‘It is the accumulation of tiny pleasures…that makes The China Factory such a satisfying and accomplished debut…[Mary Costello’s] writing has the kind of urgency that the great problems demand—call them themes; they are the kind of problem that make a writer. With a bit of luck, they could keep her at the desk for the rest of her life.’

‘A publishing coup…there are shades of John McGahern and William Trevor in many of these disquieting tales of loss and regret but Costello’s nimble, exacting prose style is very much her own. The stories engage with the human condition in such a profound way it’s no wonder they leave an indelible mark.’

‘These twelve stories examine the dark side of everyday life…Echoing Thomas Hardy, she reveals how even ordinary lives can be full of drama and incident…Beautifully crafted but never pretentious, Costello’s stories are stark and honest and her characters linger long after you close the book.’

‘The subtle underpinnings, the intuitive capacities—the eye for details, the feel for language, the care of it—are much in evidence…One hopes to read more of Mary Costello.’

‘Twelve perfect stories…Mary Costello has an acute ear for dialogue, but her real talent is for choosing what to leave unsaid…A collection of exquisite stories so intricately wrought, so unique and enthralling as to be utterly bewitching.’

‘A sense of inescapable isolation runs through Mary Costello’s unsettling, beautifully-crafted short story collection…They are connected thematically and by the clarity and precision of Costello’s writing, but also through recurring images and events that echo in a dreamlike way throughout the book…A highly impressive, tightly-written debut.’

‘['This Falling Sickness’] is a perfect piece; where pace, character and restraint, emotion all exquisitely combine…This story is simply a masterpiece…This is a powerful collection from a very fine unshowy writer.‘

‘You are there, on the underside of a character’s skin, in her mind, behind his sightline, swimming pacifically in the underwaterness of their emotions, somehow muted and colour-sharp at once. If there is something that ties these stories together, it is not so heady as a theme, like “the existential state of aloneness.” It is more that loneliness envelops the world of each story like a living, moving thing, and in the opening sentences, a kind of emotional atmosphere opens up, like a tiny mouth, where the reader enters, slips in quietly, whereupon the mouth closes, seals the reader in. If this description strikes you as sexual, then it’s not far off; these stories want all of you, mind and body and soul, like a consummation.’

‘Comparison to James Joyce’s Dubliners is irresistible. We have not only a shared location but also a wide view of society evoked through the intimate details of a small community. The same sense of hard-boned, sinewed reality runs through each story.’

‘Boldly jumping into the everyday lives of such ordinary people, Costello draws out their inner depths in each tale she tells. Fears of the future, haunting memories of the past and day-to-day internal struggles take her characters to unexpected paces, often surprising the reader.’

‘Stitching thematically similar stories into a collection can be risky. But The China Factory is a collection that plays to its format’s strengths. Since you know a character’s gains in life will generally be fleeting, those gains begin to hum with their own pre-emptive nostalgias. You learn to appreciate the sublime moment…more than the characters possibly can themselves. So while the prose is plain and confident…Costello’s real firepower is structural, both in terms of the individual stories and the total book. These stories resonate profoundly together, whether through powerful parallels or upsetting contrasts.’

‘These 12 stories of Irish lives are…accomplished and often very moving, plunging straight into those moments in life that can seal a person’s fate. The Sewing Room in particular is a brilliant and terrifying tale of loss.’