The Childhood of Jesus
Coetzee is a master we scarcely deserve
Age
. . . Coetzee gradually, with great intelligence and skill, brings to extraordinary - possibly divine - life an ostensibly simple story
Weekend Australian
A theological and philosophical fable of considerable brilliance, power and wit. Coetzee hasn't done anything as fine and beautifully executed as this since Disgrace
Canberra Times / Age
Coetzee's characters play with conflicting ideas in a way that is at once disarmingly simple and maddeningly convoluted. The result is a delightful, stimulating puzzle. The Childhood of Jesus is a beautiful yet complex work that will reward the reader handsomely
Mark Rubbo, Readings
Beautiful but enigmatic fable, written in clean, fierce, present tense prose, seems set in some sort of afterlife . . . insistently memorable in its spare evocations, it leaves the reader charmed, intrigued, impressed and curious, with much compulsively to ponder
Adelaide Advertiser
[A] quiet, haunting novel . . . Coetzee's calm, emblematic prose lifts the plot into something redolent with metaphor and mystery . . . Any statement can become a symbol; every event is suffused with potential revelation; something magical is always present and just out of reach . . . It's a memorable accomplishment, turning the everyday into the almost everlasting
Weekend Herald (NZ)
Double Booker Prize-winner Coetzee's fable has a dream-like, Kafkaesque quality. Are we in some kind of heaven, purgatory or simply another staging post of existence? Clear answers are elusive, but this is a riveting, thought-provoking read and surely Coetzee's best novel since Disgrace more than a decade ago
Daily Mail
Written with all of Coetzee's penetrating rigour, it will be an early contender for an unprecedented third Booker prize
Observer
The Childhood of Jesus represents a return to the allegorical mode that made him famous . . . a Kafkaesque version of the nativity story . . . The Childhood of Jesus does ample justice to his giant reputation: it's richly enigmatic, with regular flashes of Coetzee's piercing intelligence
Guardian
[A] moving but mysterious story of a lost childhood . . . Is it possible to be deeply affected by a book without really knowing what it's about? Before reading JM Coetzee's new novel I might have said no - but now I'm not so sure . . . [As] disquieting as it is moving . . . [All] I can say is that ever since I finished it, it's been going round and round inside my head like nothing else I've read in ages
Sunday Telegraph
The sense of calm, furthered by Coetzee's spare prose, is very unsettling . . . These are not the horrors of Waiting for the Barbarians, this is the horror of banality
Independent on Sunday
A breathtaking performance, full of the tears in things and the wonders of which we cannot speak
Peter Craven, Sydney Review of Books
Poignant and compassionate . . . A tale that is by turns irritating and deeply satisfying, philosophically soaring yet earthy, maddeningly vague and mercilessly precise
4.5 stars Good Reading