‘In Koch’s equally devious follow-up to The Dinner, civilisation is once again only a thin cover-up for man’s baser instincts…Make no mistake: very few real-world events will distract readers from finishing this addictive book in one or two sittings.’ starred review

‘In this disquieting novel from Koch (The Dinner, 2013, etc.), sex, celebrity and medical ethics become inextricably tangled as a summer idyll goes nightmarishly wrong…A sly psychological thriller lurks within this pitch-dark comedy of manners.’

‘Once again Koch shows us, in that keen, almost icy style, how easy it is for successful people to go haywire.’

‘Fast, satirical and with a rock-solid plot.’

‘Herman Koch has a knack for asking the right simple questions that threaten to completely unhinge who we are and what holds us together. As in his previous novel, The Dinner, you’ll wonder how far you would go for your children, and again you’ll wonder what you might be capable of once the rules have been broken. But Summer House with Swimming Pool is more assured and complete and immersive. Viciously funny, tense, and disturbing, this is one vacation you won’t forget.’

‘Summer House with Swimming Pool is a dark satire, scalpel-sharp and more cohesive than The Dinner, with a more complex unreliable narrator, a compelling structure, and a sutured but festering wound of themes.’

‘Even in translation from Dutch, there’s no false note…The ending is tantalisingly ambiguous. What is clear is that Schlosser, with his scepticism and suspicion, has built his own dark universe. A world that is both disturbing and engrossing, to which we are granted a privileged view, from a merciful distance.’

‘This is a masterfully wrought, wickedly witty tale of sexual attraction, ambition, lewdness and deception…Summer House with Swimming Pool is an engrossing read written in a style that flows easily yet sneaks up to pack quite a punch.’ 4.5 stars

‘Just as he did in his bestseller The Dinner (2013), Dutch novelist Koch tells a sinister tale through the eyes of a questionable narrator…Koch’s deft and nuanced exploration of gender, guilt, and vengeance make his second novel to be translated into English an absorbing read.’

‘Another rich stew of language, character and cynicism from the author of The Dinner.’

‘A cleverly crafted and mildly subversive combination of psychological thriller and black comedy…Distinguished not just by the elegance of Koch’s writing (and by extension, that of his translator, American Sam Garrett) but by its satirical take on the pretensions of the creative middle classes.’